This exhibition of moving image installations, drawn from the Henry collection, spans a wide range of style and conceptual approaches. The title, a satirical and yet deeply moving line from Kurt Vonnegut’s Slaughterhouse Five, references a common thread running throughout the exhibition—the frailty, trauma, loss, and cruelty of the human condition that nonetheless is girded by an irrepressible desire for beauty, love, and connection. This fragile concurrence of our collective existence, as read through the vision of contemporary artists, links the works in the exhibition, including those by Rashid Johnson, Kaari Upson, Lutz Bacher, Sue DeBeer, and Candice Breitz, among others.